Review of the film Avatar: An immersive cinematic journey

 The year is 2154. The US military arrives on the equatorial moon Pandora in space. Their goal was to remove the soil's essential elements from Pandora. But before they can achieve that, they must battle the peaceful natives of the strange land and either drive them away or obliterate them with their spies and bombs.

The Titanic sinking seemed like a titanic effort until we watched the movie! This time around, James Cameron decides to play the role of god and invents an entirely new world with such perfect elegance, aesthetic sense, and attention to detail that he almost makes you gasp. Avatar, with its art-house special effects and shock-and-awe approach, heralds the technological maturity of both CGI and 3-D film.

Review of the film Avatar

From one perspective, it's the sheer radiance of the material and the never-before forms of the animals, the greenery, the fauna flying across the screen that makes you wonder about how PCs can expand innovativeness; on the other, it is the umpteen times you bounce back to keep away from the bolts, the firearms or slide away from the drifting dandelions and wild raptors that leaves you totally entranced with this fresh out of the plastic new true to life experience. Genuinely, Cameron's vision of Pandora is unadulterated craftsmanship, with its tall, wide-looked-at, slim, blue Navi individuals, its post-present-day animals, and its verdant greens.

However, more than this, Cameron's cry against war and brutality makes Symbol a persuasive tribute to the present. Kindly, the film isn't a visual spectacle alone; it has a significant story too that could make this perfect work of art a cutting-edge illustration for peaceful objectors, climatologists, humanists, and globalists... The producer transparently prosecutes America for its post 9/11 expansionist approaches and obviously states: ''when individuals are perched on poop that you need, you make them your foes. That is the main way you legitimize removing the stuff from them!'' Stuff? Minerals, here. Oil, in reality.

It's a basic story, told straight. In this modern world, the US Military finds a wellspring of precious minerals in Pandora, a far-off moon circling a star. They need to send in their soldiers to tame the native Navi individuals, before removing the minerals. Be that as it may before they send their daisy-cutters and rocket launchers, they send in people who have been changed into Na'vi look-a-likes (they call them symbols) to penetrate the harmony cherishing race and find out about their shortcomings and assets. Enter, Jake Tarnish (Sam Worthington), a paraplegic marine, Who is guaranteed a couple of legs for deceiving the peaceful resistor of Pandora. It doesn't take well before Jake becomes hopelessly enamored with the wonderful Neytiri (Zoe Saldana), the little girl of the Navi boss, and turns maverick on his own kin. Can't fault him, as a matter of fact, uniquely since his chief, Colonel Miles Quaritch (Stephen Lang) is a mean, grim, war-mongering who regards each non-American as ''a fly-chomped savage, living on trees.''

The symbol is for sure a total realistic encounter, with cinematographer Mauro Fiore, music chief James Horner and enhancements maestro Joe Letteri holding hands with chief/screenwriter James Cameron to make significant areas of strength for an outwardly mixing requests to save the world before it is past the point of no return. Also, the main way the human species can do it is by renouncing its damaging inclinations. For Indophiles and Indian way of thinking fans, Symbol is an entire composition of Indianism, from the very word 'Symbol' itself. Add to this the blue-cleaned, monkey-followed, god-like Navi race, and the linkages could be endless...

A word about:

Exhibitions: Shockingly, there are no big names in Cameron's cast, yet the characters are tenable and eye-catching. Both Sam Worthington and Zoe Saldana shape a warm romantic tale as the blue-cleaned human avatar and Navi lady. The film likewise denotes the arrival of Sigourney Weaver in one more tryst with outsiders.

Music: James Horner forms a fine music score that has a combination mix of both Oriental and Occidental notes.

Cinematography: Pandora is visual heaven, with every plant, and every dandelion scratched out exhaustively. Praise to Mauro Fiore for this splendid accolade for Mother Earth.

Story: Cameron's story is both opportune and effective with a solid enemy of war explanation finely mixed with the evergreen sentiment between a human and an outsider.

Exchange: Basic, straight, yet hard-hitting, a portion of the lines are bound with humor as well.

Embellishments: Totally first-rate...Avatar legitimizes its swollen financial plan of being charged as the most costly Hollywood film at roughly $500 million.